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The pulsating buildups, roaring cadenzas, and heady climaxes are what create such a “love-it or hate-it” attitude among classical fans. In between all of this would be a secondary theme and many cadenzas that take the listener up and down chromatic intervals until you arrived at where Liszt wanted you to stop. He would write a pretty theme and then transform it several times, first having it played fast, then perhaps slower, and finally as a climax-with a new technique thrown in every time. With all of this said, it is still true that Liszt’s works are not only generally virtuosic in nature but primarily virtuosic in nature. And the beautiful and monstrous B Minor Sonata is rife with not only virtuosity but moments of deep intimacy. Some of his Etudes, “Years of Pilgrimage”, and his late works contain stunning revelations about the soul and the human condition without having to resort to bombastic virtuosity. This is unfairly deserved, for Liszt not only is one of the most pianistic composers but also quite a lyrical one-as long as you know where to look.
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Liszt has always had a reputation for being monstrous to play, and perhaps for some, monstrous to listen to. Through that I learned a lot of things about his music that don’t think people were aware of: There was so much to sift through, download, and read-early works, middle works, the bizarre late works, multiple revisions of the same piece, earlier versions of discarded material, hymns, Christmas pieces (Liszt wrote Christmas pieces?), beginner pieces (Liszt wrote beginner pieces?!), and much more: I ended up only sightreading through what I thought people might actually bother to play-which meant potentially leaving out hundreds of works-and even that took me about a month. 'No Stupid Questions' thread (twice/month)ĮPierre's weekly composition/improvisation challengeĬreating a catalog of Liszt works by difficulty proved to be much harder than I realized. IMSLP provides access to free, public domain sheet music. is a great website to learn the fundamentals of music theory. commenting on someone's appearance), and the like, are not welcome and will be removed. Off-topic posts, spam, advertising, blog posts with little contentĪlso, please do not submit more than 3-4 posts per week, and you should not have more than 2 posts on the front page.Ĭomments that contain personal attacks, hate speech, trolling, unnecessarily derogatory or inflammatory remarks or inappropriate remarks (e.g.
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Requests for transcriptions, identifying chords/notes in a song (use /r/transcribe), what song is this?, requests for sheet music (see FAQ, use /r/musicnotes, /r/transcribe)Ĭommon generic questions covered by the FAQ such as "What's a good keyboard?", "What's my piano worth?", "How do I get started?", unless your question has specific details. (use /r/musicpics, /r/classicalmemes or /r/pianomemes) Image memes, pictures of text, rage comics, etc. The following types of posts are subject to removal:
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